This poem is essentially about being a father to a teenage boy that seems to be in a bit of a foul mood. This is evident in the first line "Sarcastic sons slam front doors."
Abse then begins reminiscing about his own youth, how he "was like that" too.
The third stanza focuses on teenagers he has watched in London, which leads him back to think about the doors slammed on a Cardiff evening and how they really aren't all that different no matter where they come from.
The final stanza depicts fairly accurately what it is like to be an adolescent "In adult rooms / the hesitant sense of not quite belonging". This poem really is very accurate.
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts
Monday, 31 March 2014
Wednesday, 19 March 2014
Last Visit to 198 Cathedral Road by Dannie Abse
(Before reading) The name of this poem really stood out for me. It says closure and finality. It's obviously going to be about death.
(After reading) This poem made me think of two things-
I thought of this particular song as I was reading through it because it's also about the idea of going back to a place you once called home and being a little upset about how it couldn't stay that way forever.
(After reading) This poem made me think of two things-
- Home is so Sad by Philip Larkin
- The Old Apartment, a song by The Barenaked Ladies
A Winter Visit by Dannie Abse
I didn't see this poem as particularly gloomy. Although Abse describes someone who is presumably his mother as "agéd and frail", I can't help but imagine that through all the bird-like imagery he is trying his best to paint the old woman in a very positive light.
Abse himself is, however,upset at how old and willing to die she is but must put on a brave face, saying that he "inhibits a white coat not a black" suggesting that since he's a Doctor he must be particularly thick-skinned and optimistic. Basically, she's not dead yet so he has no real reason to grief.
Abse himself is, however,upset at how old and willing to die she is but must put on a brave face, saying that he "inhibits a white coat not a black" suggesting that since he's a Doctor he must be particularly thick-skinned and optimistic. Basically, she's not dead yet so he has no real reason to grief.
Musical Moments by Dannie Abse
1.His Last Piano Lesson
The first part of this poem is basically about a boy trapped inside his house having a piano lesson when he could be outside doing literally ANYTHING else.
The listing used in this poem hints at his boredom, showing all the things he'd much rather be doing.
The later stanzas introduce a new theme that is more present in the second half: death ("before Sleep's grisly fictions").
2. Outside a Graveyard
Honestly, I found the second half to this poem a little difficult to understand at first and then connect to the first half.
It seems at first to be a funeral procession observed by an outsider, like Larkin's poems often are. Then it becomes more personal, he knew the person that has died. Maybe a loved one or a close friend.
I tried linking it with the first half and all I could think of was the possibility that this was the grave of the person giving him piano lessons in the first half of the poem. I can't really justify this. Just a gut feeling, really.
The first part of this poem is basically about a boy trapped inside his house having a piano lesson when he could be outside doing literally ANYTHING else.
The listing used in this poem hints at his boredom, showing all the things he'd much rather be doing.
The later stanzas introduce a new theme that is more present in the second half: death ("before Sleep's grisly fictions").
2. Outside a Graveyard
Honestly, I found the second half to this poem a little difficult to understand at first and then connect to the first half.
It seems at first to be a funeral procession observed by an outsider, like Larkin's poems often are. Then it becomes more personal, he knew the person that has died. Maybe a loved one or a close friend.
I tried linking it with the first half and all I could think of was the possibility that this was the grave of the person giving him piano lessons in the first half of the poem. I can't really justify this. Just a gut feeling, really.
Friday, 7 March 2014
Mr Bleaney by Philip Larkin
Mr Bleaney is an interesting poem in that the free will of the persona is called into question. The previous owner, Br Bleaney, has moved out leaving only a few items behind. Nothing seems all that important to either Bleaney or the persona and there's a suggestion that they both live quite a bland and meaningless life.
Larkin says "stub my fags on the same saucer-souvenir" which gives the impression that for both of them there was little to do in their free time than to sit around and smoke.
Larkin speculates that neither Bleaney nor the persona were particularly happy about living in this apartment. This is evident when the persona begins imagining Bleaney at home and "telling himself that this is home". This implies that it was not he did not like staying there and actually needed to convince himself that it wasn't really so bad.
The apartment itself seems to contradict this. A "thin and frayed" curtain, "no hook/Behind the door" and a "sixty-watt bulb" all suggest that to both Bleaney and the persona this apartment was little more than cheap living space and in no way anything that they could call 'home'.
Larkin says "stub my fags on the same saucer-souvenir" which gives the impression that for both of them there was little to do in their free time than to sit around and smoke.
Larkin speculates that neither Bleaney nor the persona were particularly happy about living in this apartment. This is evident when the persona begins imagining Bleaney at home and "telling himself that this is home". This implies that it was not he did not like staying there and actually needed to convince himself that it wasn't really so bad.
The apartment itself seems to contradict this. A "thin and frayed" curtain, "no hook/Behind the door" and a "sixty-watt bulb" all suggest that to both Bleaney and the persona this apartment was little more than cheap living space and in no way anything that they could call 'home'.
Sunny Prestatyn by Philip Larkin
I did not think that Sunny Prestatyn was a particularly misogynistic poem. Sure, the woman in the poster seemed to be described in a very sexualised manner, with the rest of the beach "expanding from her thighs", but that was just the way that adverts would have genuinely been like. If anything, "breast-lifting arms" is just a further indication that sex sells, something that Larkin is critical of in other poems such as Essential Beauty. He suggests that it is deceitful advertising.
I think that the second stanza is little more than school boy humour. Although he disagrees with vandalising the poster, he finds the vandalism funny to a certain extent. The description of the graffiti is immature, suggesting that Larkin's views on the matter are similar. For example, it's very difficult to believe that someone who uses the phrase "cock and balls" is being 100% serious. It's quite easy to believe that Larkin is having a quiet little giggle at the cartoon penis scrawled over this woman. I find it hard to believe that this is especially sexist because the vandalism would have the same effect if it had been drawn on a man.
It could also be that whilst Larkin is having a little chuckle at how the poster has been defaced, he is criticising the actual vandals. To me, "huge tits" sounds somewhat ironic, like Larkin is using the lingo of the young people that would have vandalised it in order to make a bit of a mockery of them.
The final stanza (as always with Larkin) takes a much darker tone with an underlying message of violence introduced through the knife used to "stab right through" what is presumably a Hitler-style moustache. It kind of makes us think of rape.
He leaves us with the ambiguous last line "Now Fight Cancer is there". This could mean one of two things:
I think that the second stanza is little more than school boy humour. Although he disagrees with vandalising the poster, he finds the vandalism funny to a certain extent. The description of the graffiti is immature, suggesting that Larkin's views on the matter are similar. For example, it's very difficult to believe that someone who uses the phrase "cock and balls" is being 100% serious. It's quite easy to believe that Larkin is having a quiet little giggle at the cartoon penis scrawled over this woman. I find it hard to believe that this is especially sexist because the vandalism would have the same effect if it had been drawn on a man.
The final stanza (as always with Larkin) takes a much darker tone with an underlying message of violence introduced through the knife used to "stab right through" what is presumably a Hitler-style moustache. It kind of makes us think of rape.
He leaves us with the ambiguous last line "Now Fight Cancer is there". This could mean one of two things:
- Larkin is being literal. The poster got to tatty and was replaced by a cancer research poster.
- Larkin is suggesting that the vandals themselves are cancerous and that we should take special measures to prevent that sort of thing from happening
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